Home - Quadrophone

Mixing the Bass and Kick

Because the bassline and the kick drum are the two lowest-frequency elements of your track, they’ll often end up occupying the same space...

Load a snare sample into Drum Rack. Load another copy of the same sample onto an empty audio channel. Double-click the sample on the audio channel, then click the “Rev.” button. Ableton will reverse the sample. The reversed sample is an irregular length, which is going to make it hard to use in a MIDI loop. To fix this, click the “Warp” button to warp the clip, then drag the trim…

How to Make Sub-Kicks

If the kick sample you’re using isn’t beefy enough, layer it with a low-pitched synthesized sub-kick. The sub-kick adds bass without overly changing the tonal character of the kick.

How to Use Multi-Layer Synths in Ableton

Using MIDI tracks to play the different instruments inside a multi-layer synthesizer plug-in can potentially save you massive amounts of CPU power. Instead of loading a new copy of the VST instrument for each part, you can open several instruments inside the same plug-in.

3-D Mixing

To prevent sonic conflict, each element in your track needs its own space in the mix. To help you put each element in its own space, think of the mix as if it were filling a room...

Using Triplets in Beats

The elements of electronic music are generally divisible by four: four kicks per bar, eight bars per loop, sixteen notes in a melody. To add interest to your beats, break up the 4/4 using triplet drums. A triplet jams three notes into a space that should only be occupied by two.

Mixing the Bass and Kick

Reverse Snares

How to Make Sub-Kicks

How to Use Multi-Layer Synths in Ableton

3-D Mixing

Using Triplets in Beats

Audio Effects 101: Time-based FX

Return Track Tips & Tricks

Using the Ableton Scale Plug-In

Using Keytracking